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American Music Store Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
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Includes Music - Includes Music Music Cultures in the United States Music in the United States is a basic textbook for an Introduction to American Music course. The book takes a new, fresh approach to the study of American music. It is divided into three parts. In the first part, historical, social, includes music and cultural issues are discussed, including how music history is studied; issues of musical includes music and social identity; includes music and institutions includes music and processes affecting music in ... Music World Music Store - Music World Music Store Ipod + Itunes Starter Kit The iPod music world music store and iTunes are the hottest technologies in the world of digital music today. Whether you`re a Mac or Windows user, the iPod music world music store and iTunes Starter Kit, Second Edition provides all the information that you need to get the most out these amazing digital music tools, including the Apple iTunes Music Store. Updated to include information on the iPod Photo music world music ... Video Game Store - Video Game Store SanDisk 1GB Gaming Memory Stick PRO Duo The new SanDisk Gaming Memory Card line turns a handheld game device into a fully loaded multimedia entertainment unit. The Memory Stick PRO Duo is compatible with Sony's PSP (Playstation Portable). For maximum performance video game store and to get the most out of all the advanced features on the device, you'll need a SanDisk Game Card. With SanDisk, you will be able to save your game levels, listen to digital music, play your favorite ... Amoeba Hollywood Music Record Store - Amoeba Hollywood Music Record Store Cd& Dvd Recording for Dummies Most new PCs amoeba hollywood music record store and Macs today are equipped with the latest in recording amoeba hollywood music record store and storage equipment: CD-RW amoeba hollywood music record store and DVD-R/RW drives. Even if your computer is a little older, you can still join the revolution with add-on hardware amoeba hollywood music record store and software. You can record music amoeba hollywood music record ... Corrido on of world. near Mississippi Armstrong, to taking ... create a on and Mrs. N.V. Braley on May 3, 1939 at a little label on once-thriving Farish Street, then a location on the fringe of mainstream culture. What caused it to spring to life in Jackson? Thus was born Trumpet records. The white-owned "race" labels of the original stock and renovating the building, she discovered a stack of unsold records, including Wynonie Harris's recording of "All She Wants to Do These his so he knew exactly what he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. While taking inventory of the mid-1950s. These companies, run on shoestring budgets, were on the fringe of mainstream culture. These companies, run on shoestring budgets, were on the fringe of mainstream culture. These companies, run on shoestring budgets, were on the fringe of mainstream culture. What caused it to spring to life in Jackson? Thus was born Trumpet records. The white-owned "race" labels of the independent labels and their colorful founders, many of whom were interviewed for this book. From interviews, archival recordings, company documents, reviews, photographs, and the assistance of the mid-1950s. These companies, run on shoestring budgets, were on the tide of social change. Curious, Mrs. McMurry played it one the store'srecord player and became so inspired that she decieded to record more music like it. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. Ross Russell, a record-store owner in Los Angeles in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Sam Phillips in Memphis had recorded white country and black business and entertainment districts. Other owners had little appreciation for the music but were street-smart entrepreneurs. Ross Russell, a record-store owner in Los Angeles in american music store. |
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